The fork is a metaphor for a life-altering choice in which a compromise is not possible. The two roads are interchangeable. His narrators are often close to nature, wandering in woods, in snowstorms and picking apples.
Frost is the only major literary figure in American history with two distinct audiences, one of which regularly assumes that the other has been deceived. Clearly, this is to emphasize that both roads appeared untouched, not having been tarnished by the foot of a previous traveler.
The biggest enemy of success is fear. As this person stands looking at the two options, he is weighing the pros and cons in a quiet, studied manner. But to contemplate this hypothetical deeply is folly, for it is impossible to say whether taking the other road would have been better or worse: So, the tone is meditative.
Any person who has made a decisive choice will agree that it is human nature to contemplate the "What if Some, now paved over, are used as highways, remnants of a culture that has long since vanished and been supplanted by another.
He realizes the magnitude of the impact the road had on him. Elements such as orchards, forests, fields and small towns are observed commonly. Clearly, this is to emphasize that both roads appeared untouched, not having been tarnished by the foot of a previous traveler.
Thus, one should make their decision swiftly and with confidence. Thomas would sigh over what they might have seen and done, and Frost thought this quaintly romantic. First he notes the differences; then, he notes the similarities for such a long time that differences and similarities seem to blend all into one.
Wishing that he could go down both roads, he stands and looks down one of the paths as far as he can see. Then, the poet reaches a fork in the road. A cultural offering may be simple or complex, cooked or raw, but its audience nearly always knows what kind of dish is being served. I shall be telling this with a sigh Somewhere ages and ages hence: Yet, time and money and life will probably prevent him from actually returning to the spot again.
Frost also mentions the color black in the lines: He has two choices. He chose a path and followed it. The grassy roads and yellow woods represent the present as the individual views from a future perspective.
When the road failed to yield the hoped-for rarities, Thomas would rue his choice, convinced the other road would have doubtless led to something better. Frost liked to tease and goad. Write the poem analysis. This pondering about the different life one may have lived had they done something differently is central to "The Road Not Taken.
He spends equal time looking at both roads and thinks both roads look "just as fair" but feels the other has "perhaps the better claim" because it looks grassier and less used than the other road.
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Whatever the reason, once committed, he'll more than likely never look back. With that, we are left to wonder how Frost knew the road he took was the one less traveled by.
The ambiguity springs from the question of free will versus determinism, whether the speaker in the poem consciously decides to take the road that is off the beaten track or only does so because he doesn't fancy the road with the bend in it.
He hopes that he will be able to try to the other choice at some time in the future.
It certainly made "all the difference," but Frost does not make it clear just what this difference is. Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no steps had trodden black.
The individual arrives at a critical juncture in his life, arriving at crossroads at last yellow woods. The situation demands a serious approach, for who knows what the outcome will be. The poem also wryly undercuts the idea that division is inevitable: The neatness of how the sentence structure suddenly converges with the line structure this sentence is exactly one line echoes the sudden, clean division that choice creates.
The Road Not Taken by Robert Frost. The professor asked us what we felt the meaning of the poem was. I answered he choose a career path that was uncertain and that made a huge difference in his life. I always loved this poem and read it again and again. Joan/5(). Feb 17, · "The Road Not Taken" is an ambiguous poem that allows the reader to think about choices in life, whether to go with the mainstream or go it alone.
If life is a journey, this poem highlights those times in life when a decision has to be douglasishere.coms: 8. Robert Frost wrote “The Road Not Taken” as a joke for a friend, the poet Edward Thomas. When they went walking together, Thomas was chronically indecisive about which road they ought to take and—in retrospect—often lamented that they should, in fact, have taken the other one.
Soon after. This poem does not advise. It does not say, “When you come to a fork in the road, study the footprints and take the road less traveled by” (or even, as Yogi Berra enigmatically quipped, “When you come to a fork in the road, take it”). Frost’s focus is.
Robert Frost was a famous American modernist poet. This lesson covers the elements that make Frost's poetry modernist and analyzes his most famous poem, 'The Road Not Taken.'. In Frost's poem "The Road Not Taken," the speaker is confronted with two roads in a yellow wood.
Yellow leaves would represent autumn.
We know the speaker is torn between the two roads.The different interpretations of the road not taken a poem by robert frost